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Three headshells from the top shelf
Audio Silente grafit headshell - 250 Euro + shipping. http://www.audiosilente.com/httpwww-audiosilente-com7.html
Ikeda krom headshel - ca. 4.600 kr - on loan from Sallingboe Audio - https://sallingboeaudio.com/
Korf HS-A02 ceramic headshell - 199,- Euro + shipping. - http://korfaudio.com/hs-a01
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Latest update Oktober 4, 2021
Actually
an arm with a fixed headshell would be preferred. But then again we are
many who value the facility to change cartrdige easily and fast. To do
this we need a good and reliable headshell and a suitable arm. I have
tried out quite a few headshells through the last 40 years. Everything
from alu to titanium, wood, carbonfiber and,graphite. All will
sound differently and will at the same time make different
demands to the the arm and cartridgde. I hvade looked at three
really good but rather heavy ones here.
Naturally
there will be some time between listening, because of the mounting and
adjustmentx of the carrtridge in each of the three heedshells. I
chose a track from a well known record and recorded it with each
headshell. This way there should be a smoother way to "change" and hear
the diffence? And then mayby net - i did not know but had to try. The
recording was made using my fully serviced an adjusted Pioneeer
CT-S910
cassette with a Sony Metal Master.tape. Not optimal, bu my reel to
reel.dack is not up and running at the momvent. .
Audio Silente graphite headshell mk II
Audio
Silente is an Italian company run by Simone
Lucchetti. They make many things in graphite. From headshells, as the
one i have here, to arms and solid platters "mats". Topping of with his
impressive idler wheel driven "Blackstone"recordplayer. I have met
Simone a few time at the Münich high-end show. A very enthusiastic and
nice man, with great succes making his procucts and for sure dedicatet
to recordplayers and analogue. As he express it himself "made in Italy
with passion and love".
The
last two years i have been using an Audio Silente
graphite headshell with mye Ikeda 9Gss cartridge. Since then there
has been some changes, and a new mk2 version is now the top of the
range. This shell is a little bit longer than the two others so you may
which to check, if it will fit your arm. The headshell is made out
of HDG graphite, which according to Audio Silente has
excellent isotropic properties, as it will absorb or diffuse
internal vibrations. This new version is CNC machined and then
hand polished. The mounting collar is aluminium with a tiny screw to
adjust azimut. The mounting has a single guiding pin. Audio
Silente use theor own developed EIA coupling with teflon
isolated copper cables The small clips is as well their own production
and made with gold plaegdcd phosphor bronze. A small bag with unbrako
bolts and nuts are enclosed. But these bolts did no fit
with my cartridge as they were much too long and will go better with
other types of cartridges.
The weight will vary but this
sample was stated to weigh 15.8 gram without bolts. Everything
comes in a litttle woodenbox with specifications and a warning not to
tighten the bolts too musch, as Graphite is a brittle material.
The sound of graphitet
As
mentioned i have used a similar graphite headshelle for som years. This
new on has a better EIA conneciotn an a bit lower mass/weight. The
sound however is what i like. it is a headshell which will be like a
handshake for lower compliance cartridges. This means control and a
general calmness. There sis some kind of robustness which will never be
too much together with a coherence and attack in the upper bass. The
cables are of good quality, and i never felt tempted to change them for
something else. They are easy to mount on the cartridge. In total
we have a headshell well suited to my Ikeda or other low
compliance cartrdiges. I allso tried my old (NOS) Audio Technica
ART-1 with this headshell. Again a success, but compared to the same
cartridge in the Korf headshell, there lacked the easyness in the
midrange, but then again the Audio Silente shell had an resolution and
natural flow in the back of the soundstage with more body and
nerve. All details are there with the Audio Silente shell, but it
has a very neutral way to show them wit both physics and weight.
Absolutely a good headshell, with som thought and research behind it. A
pleasure to work with..
Ikeda polished headshell with silver wire
This
is a luxury version of Ikeda's IS-2T headshell, made to order by Zikra
Audio in Denmark, which imports Ikeda. It looks like an IS-2T, but
where this is almost chrome-plated, the standard version is silver
/ white (W) or black (B). This standard version also has a
somewhat different price - guide 2680,- DKR (approx. 320 Euro). The
standard Ikeda headshell has copper wires, where this special
version has silver cables.
The very solid headshell has a
rounding in the front that fits with the Ikeda pickups. The two
mounting flanges have a cut-out that fits the supplied screws. A
bit disappointing they include normal straight notch screws.
I have otherwise gone over to unbrako or to cross notch screws.
The housing has azimuth adjustment if you fix the fastening in the EIA
socket. This has only one locking pin, most better housings have 2. The
thimble is fixed - screwed into a small cut-out in the housing. The
housing weighs 18 grams without screws and fitted with my Ikeda 9Gss
pickup we reach 35 grams. Not all arms are enthusiastic about this
weight, but it fits nicely in my Glanz MH124.
The sound of Ikeda
Now
this headshell should be made exactly for my pickup. Probably a little
unfair, but then they all get the same conditions. The first thing I
noticed were voices. Here's a male voice, namely Cat Stevens on the new
edition of "Tea for the Tillerman". It appears more physical and up
front in the soundscape. Lots of energy and robustness, as well as
control in the bottom octaves. In this area it shows clearly more
energy and violence than especially the otherwise excellent Korf
headshell, but also to a lesser extent the Audio Silente graphite that
is more sober ..
The Ikeda combination provides a robust and
somewhat effervescent reproduction than the pickup mounted in the Audio
Silente graphite housing, but otherwise the two are very similar. Both
are physical and full-bodied with good control downwards. A very
special headshell made to fit the Ikeda cartrdiges.
Korf HS-A02 Ceramic Headshell
On
The Korf blog you can read very scientific tests of various headshells.
It's probably easier to stop by than me explaining it all: "Is This the
Best Headshell in the World?" (korfaudio.com)
The man behind the
Austrian company is Alex Korf, and on the website there is lots of
detailed information about turntables, arms and other of his products.
Technical info, because he builds it himself, but also tests. The very
scientific tests of various headshells, have lead to the manufacturing
of the new full ceramic headshell, which he claims is the best in the
world.
HS-A02 is made of white ceramic. More specifically,
alumina. A material that Ortofon has previously used in their pickups -
e.g. in MC2000 and MC70. SAEC and JVC have for years made ceramic
houses, but much simpler constructions. Korf's headshell is fully
molded - which means that the attachment itself is part of the ceramic.
Azimuth can thus not be changed, it must happen on the arm itself. The
weight is kept reasonably low, only 13 grams incl. the finger bar. The
EIA socket itself has gilded contacts and 2 locking pins - super! The
mounted silver cables are very long, in fact too long, so they just
need to be bent into place. The small clips go very tight, but Korf
states on the website that alternatives can be provided. Brass screws
and nuts included. Again here with the outdated straight notch. The
thimble must be used as it protects the screws from the delicate
ceramic. It is stated about the fragility and that you should not drop
it on the floor or tighten the screws too much. Here you will also find
a warning against using steel screws? I do not know why- I have for
some years used steel unbrako without any problems.
The sound of ceramics
Very
smooth and with lots of details upwards a "clean" sound. There is a calmness in the
upper octaves, but at the same time a very fast bottom that starts and
stops. This is very different from e.g. wooden headshells of ebony
and rosewood, which I also have. The very stable white house does not
have as much weight in the sound as the other two. It also shows up as
a sober and neutral rendition all the way through the upper bass and up
into the midrange. Details stand out and there is a "quiet" background.
It all happens very immediately and easily. Definitely not bad, but
very different from the other two headshells that appear more physical
and up front. Overall, the Korf house is one of the most neutral and
revealing I have heard. It can make even cheaper pickups perform their
best. Has e.g. also used it with Nagaoka MP-500 (see Danish review here) and my
Audio Technica AT-ART1 with great success. Definitely an excellent
headshell.
Conclusion
Yes, there is a sound difference in
headshells, not just these three, but many others as well. I have
long since stopped using headshells of prssed plate. The three
headshells tested here all belong to the top. Taking the price into
consideration the Korf HS-A02 us close to a best buy. Absolutely
recommended. There are probably a few more headshells that need to
be tested. But the three tested represents in their own way a rendering
that gets far more information out of your pickup and arm than typical
budget headshells of pressed sheet metal. The prices may seem high, but
even with pickups in the good middle price range around the 800 to
1,000 Euro they can make a big differences.
If we talk about real
high-end groove trackers, then there is no way around. Investing
in a good headshell. You will for sure achieve far better sound!
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